only one listen to the crystal clear rapture in the sound of bodhi shows the funk influenced take on dance music this young duo have to offer. olly howells and luke welsby started producing together 2 years ago but ever since they kept on capturing the right attention. therefore it is no surprise that exploited picked them up to release three uplifting, warm and modern dance tracks.

the second instalment of the new edit series called spiritus rector by in flagranti. 4 tracks of disco/funk/cosmic/afro dance grooves

the globally trendsetting house and techno family that is visionquest now turns to a new pairing of sonny fodera & gene farris for their debut ep on the label. entitled ‘we work it’, the two-track affair comes with a remix by visionquest man lee curtiss. australian sonny fodera has been at the sharp end of the dance music scene for years now, clocking up huge hits both solo and with green velvet aka cajmere, releasing albums such as afterparties & aeroplanes and appearing on cajual, defected, suara and many more top labels. gene farris, of course, is a chicago house legend who has been active since the nineties, runs his own farris wheel label and has released close to one hundred definitive eps on relief, soma and many others. up first, ‘we work it’ is a lithe ritual of house funk with bent synths and slick mid tempo drums. a spoken word vocal snippet muses on the intake of various substances and the drums roll on infectiously below. it’s sure to be a standout anthem in the months to come given that vocal line and the spiritualness of the keys all around only adds to the effect. the first remix comes from lee curtiss. this one is a much quicker and more peak time bit of tech house with textured, dynamic bass and plenty of drum fills. it’s an involved, more cosmic and tense take on the original, that will build great pressure on the dance floor. all in all this is another on point package from visionquest that will get played far and wide

impossibly rare sweet soul & funk from the vaults of miami s bold records (a subsidiary of the mighty t.k. disco label). there s scant information on reid inc as a group but the album boasts some gorgeous soulful melodies from the all female personnel and features stellar string & horn arrangements from miami studio stalwart mike lewis (blowfly, kc & the sunshine band, latimore, fern kinney) & is produced by the mighty clarence reid who has written, recorded & produced too many records to list here (betty wright, wilson pickett, dusty springfield, bobby byrd, gwen mccrae) throughout his 50+ year career. this is a real rarity, a record that fetches top, top dollar ($500 plus) on-line among soul, funk & disco aficionados. -what am i gonna do- has been comped numerous times but this is the first time the whole lp has been re-mastered & re-issued on vinyl (having previously only been re-released on cd in japan) brought to you in conjunction & with the permission of t.k. disco / henry stone music, miami usa.

messalina keeps up the pressure with another fantastic assortment of balearic gems including a heavy steel drum version of the classic *papa was a rolling stone*, plus *peace & war*, a throbbing afro disco groover with phat bass, funky synths, killer piano hook and a great positive message. its over to brazil on the flip with the brilliant *katarina*, a slo-mo chugger full of rio flavour edited to perfection by balearic maestro andy kidd with the promo already receiving a lot of attention in ibiza. lastly we have *crioula*, lucci capris floor friendly version of a lost jose roberto samba funk classic. top quality all the way.

mojuba sub label a.r.t.less welcomes the munich techno duo trap10! after introducing and reintroducing prolific artists like stephen brown, jp enfant and fanon flowers its time for another addition to the a.r.t.less label roster! trap10 deliver three very convincing tracks for their debut ep showcasing the cornerstones of their sound. from straight peak-time action on the a-side to head-nodding & feet stomping funk infused techno with soul on the flip, dress to sweat!

after a year spent perfecting the sound and style of his latest project, andrea fiorito makes his highly-anticipated return to cynosure recordings with voodoo grooves, the first of a two part ep that fuses funk, dub, and minimal with elements of analog house music straight from the new york city underground. inspired by a recent pilgrimage to south america, voodoo grooves borrows the sounds of the amazon, the flavour of cuban santeria, and the spirit of the rainforest in its warm, grounded basslines and hypnotic loops.

noisia return to metalheadz for their first single following up from last years massive strange owl project on the platinum series lp.
this time they bring to the label the twisted sounds of the bells of & the melodic funk of last look. both tunes have been getting major support from all the big club djs and radio players over the last 4 months and now the single is ready to land.

reissue of a 1983 funk classic by dr john blair.

zenith positions is a 4 track collaboration between modularz label owner developer and italian producer and repitch label owner ascion. the two producers worked apart in their studios with a similar concept and idea to create a special ep fusing together vintage synthesizers, retro futuristic ideas and funk influenced rhythms with a modern feel. the ep as gained some strong support from all the major dj talents worldwide.

lucky you! the universe must love you dearly because you are about to experience the various artists series from the fantastic ursl records. this record is jam packed with only the best tracks from all-time - past, present and future! original hits from original stars! play this record at any party anytime and you will be the undisputed hero of the night, a true master of ceremony. simply place the needle to the record and watch as the boys and girls instantly transform into crazy party monsters, smiling from ear to ear, exploding with love and and funk on your dance floor. each one of these body-rocking ursl superhits have been played by super famous superstars on dance floors across the galaxy and throughout the entire dimension of time to devastating effect. so grab this red hot compilation of solid-gold chart-topping ursl superhits today. it s guaranteed fresh to infinity and beyond, yeah! enjoy.

the first musical scale on apiafo leans towards raw funk with a sound similar to the famous 70s bands, l orchestre poly rythmo de cotonou and el rego. funk, is the skeletal structure of this record, and provided the opportunity for peter to invite his uncle, roger damawuzan - the famous pioneer of the 70s soul scene – on two tracks. their collaboration on *pas contente* is a highlight on this 100% analog album. apiafo was entirely recorded, mixed and mastered with old tapes and vintage instruments.

the swisss are back!! electro, techno, guitars, samples...... check the swiss funk! limited to 300 copies.

one of the most amazing afro funk album ever! rare funk & avant- garde soul from a seven years old kid singer featuring best of french and cameroonian musicians, recorded in paris in 1977. the album contains two nicely dramatic tracks.

yet another solid soul/funk/disco nugget lifted from the vaults of miami s cat records (another t.k. disco subsidiary).
often sampled, re-edited & re-jigged but never bettered! gwen mccrae s all time classic * all this love im giving* finally sees a timely repress, just as god intended, on a dinked 45 with all original artwork intact! thats right, you may recognize this number from cassius 1999 hit * feelin for you* but this track has long been a staple of rare groove dances & sophisticated soul parties with discerning djs & selectors clamoring for the original 45 at any cost.
backed here with its original b-side slow jam * maybe ill find somebody new* this rare 45 has been re-mastered, re-pressed & brought back for 2015s dance-floors in conjunction & with the permission of t.k. disco / henry stone music, miami usa.

surprisingly, it s been some four years since croat producer ilija rudman dropped his much-played debut album, the reveal, on bear funk. happily, true colours - his first outing on is it balearic - sees him in fine form, joining the dots between kaleidoscopic synth-funk, rubbery dub-disco, spaced-out boogie and glassy-eyed downtempo jams

the adventures of gary gritness chapter 2. gary delivers a cyberfunk joyride with 9 shit hot instrumental electro funk tracks (spread over 2 eps) with a cinematical feel, blending nowadays influences from the streets of detroit, oakland and atlanta around his trademark soulful sound.

for skylax 140, damien zala, of rowtag records fame, brings the heat with a new 6 track ep. it kicks off with an absolutely mad remix of * looking for the sun* by detroit legend, anthony shake shakir. the attention to detail is clear when it comes to someone who has been in the game for so long, and the rework he has done for damiens track is no exception. * the final break* is damiens first original on the record. a skippy, staccato affair in both its percussion and its disco/funk/soul sampling. *beauty is back* is damien taking things down a jazzier route, with a piano laden jazz sample and shuffling drums to match.on the flip, * always young* is an audacious disco edit, sampling such a treasured song that many would consider untouchable, luckily, damien works his magic to make an edit which gets people moving without being obvious. the ep closes out with * emotions* and the original version of * looking for the sun*, barely recognisable from the anthony shakir remix, in the best possible way! sweet & dirty indeed, dont miss this offering by the one and only damien zala.

hello sailor is a party and record label based in brooklyn, ny founded by brazilian-born, new york based renata do valle. since 2012, the label has been staging events with an array of local and international artists. hello sailor recordings debuts with the focus on releasing only 7inch records and building its collection of significant disco, funk, afro, and balearic music.the energy of the tropics, sunset, and the beach informs the feel of this music. hello sailor recordings first 7inch release is a remastered african jam called muko wapi and an edit by french musician joakim. brazil meets africa via france!

since the climate has slightly changed during the last years, its hard to talk about real winter in the northern hemisphere. however the world feels a bit colder these days. to keep your hearts warm, etui records has opened the winter camp again. artists from australia, italy and germany are delivering a musical fireplace of dub and deep techno. can dub techno sounds happy? of course! melbournes silver ash opens the vinyl edition of this years etui winter camp and spreads some dubby chord funk across the dancefloors with his meranti. dresden based dandytracks of vekton tell part 2 of their dubstories about us. on the flip side etui records label head insect o. shows his love for hypnotic driven techno in his kondor and new italian artist drafted proves in his ascending that detroit techno and minimalism have been always a great combination. may the world feels a bit warmer with this. etui winter camp 3 will be out as digital album inc. 11 tracks and special white vinyl edition incl. 4 tracks.

after his latest be as one release o.d. / helter skelter, and following yotam avni and konplotts endevours on the label, shlomi aber keeps techno flowing from his imprint, releasing his new zipperwork / clones in my backroom ep. zipperwork is a relentless, fast paced techno cut, heavy bass and chunky groove, with a smartly programmed groove. flip the side, and with clones in my backroom you get a slice of straight acidic techno funk, a big room anthem with a distinctive quirky line that goes the extra mile, set to be one of the major of tune of spring 2015.

marquis hawkes with the 10th vinyl on dixon avenue basement jams... presented on the blackest doberman-black wax .. repress

arturo garces, our brother from the west coast, returns to robsoul with his looking for strangers ep. loved by the robsoul community for his beats from the streets series, the san jose resident first appeared on the label back in 2012 with a trio of tracks that made up vol.1. two more collections followed and firmly established arturo as one of the labels most exciting talents. a label boss himself, arturo is seen as having helped define what is known as the silicon valley sound. his own blend of beat-laden house infused with elements of soul, funk and disco has seen him become a favourite with the likes of sneak, farina and weeks.
looking for strangers opens with the latin guitar licks of the title track before we are treated to the deeper jackin vibes and delicious chords of bassment beat. the vicious kick drum of no fool leads us on the flip, with its awesome stabs of soul. in motion featuring the subtle and sultry vocals of silencia closes the ep with its twisted filters and bass-heavy beats.

wbeeza back on third ear after a two year break, during which he set up his p fly music label and released two 12s. the can of worms ep is four joints of uncompromising future funk. all different but with one thing in common... unmistakably warren brown

japanese funk bomb released via eglo records! one for the dance floors.

high quality virgin vinyl - incl dl code, melbourne-based producer andras fox (a.r.t. wilson) creates a tactile and unique form of antipodean funk that feels equally informed by garage house and new age musical traditions. his productions sound appropriate on both the dance floor and in the lounge, boasting a casual danceability and mood that seamlessly adapts to both environs. on vibrate on silent, wilson creates g-funk with a surf sensibility, congas, shakers, electro-acoustic melodies coalesce with deep grooves, subtle hooks and a laid-back, oceanic ambience.

after one year since the first release night visions, the nightdrivers team is back for another race on their own imprint with a bunch of fresh, obscure and rolling bangers named nightlights: the record starts with the mutant and spastic tech funk of the epic bright lights, a totally sweat walled basement track where a dirty, crispy and crunchy disco break combines with an edgy, syncopated 909 driving beat while a cheeky melody of party-bells going slightly out of tune runs on the top of it.

after unveiling their highly anticipated album 11 11 in july 2014, guy gerber & puff daddy s latest installment in their iconic collaborative project is a remix package of 11 11 track tourist trap . featuring four remixes which have been worked on since the tracks debut in 2011 - the package includes reworks from the likes of jamie jones, visionquest, soul clap, guy gerber & david k - and will be released via guy s explorative record label rumors. side a leads by unearthing jamie jones remarkable for ryan remix which enjoyed massive club rotations when it first appeared in 2011, and is followed by guy s very own collaboration with david k. the b side continues with a visionquest takeover - often played out by close affiliate seth troxler - whilst soul clap inject their signature funk sound to the record with an extended vocal cut that wraps up the package. with a host of exciting artist projects on the horizon, the tourist trap remixes feed into gerbers own, uniquely eclectic outlook and provides the perfect base to launch from in 2015

australias one-man storm of tropical funk tornado wallace returns to beats in space records with the acid-flecked two-tracker, kangaroo ground & ferntree gully.

fokuz recordings makes its advance on the international drum & bass scene. already a quality, consistent label for the last couple of years 2015 is already looking promising with the opium dream ep by need for mirrors and hlz! both tracks are drenched with that distinctive nfm sound. its a hommage to the early tech step vibes from back in the days sometimes even comparable to grooveriders mysteries of funk album. the digital release will have two extra tracks for those that cant get enough, just like us here at fokuz hq. essential!

it has been over 6 years since anton pieete and jeroen liebregts have released any collaborative material under their museum name, but now finally they are back. this 3rd release of the radial records catalogue is the first of a series of eps from the duo. both of these artists have made a transformation towards analog hardware instruments over the years, these tracks are the total sum of putting together their heavy machinery and their minds: the ultimate mixture of dark roughness and funk.

the first installment in a double issue of brand new cleric productions drops with figure 64. the young british producer has released a handful of 12s over the last few years, issuing forth a bold, club targeted sound with a keen ear for clarity and full-spectrum sonics. now we are treated to a wide ranging and impressive new wave of work, over 8 tracks on 2x12s, from cleric on figure. taking us head first into the action, >avoid the subject< presents a crazy dystopia of arpeggiated synth bleeps, dancing and filtering around a heavy trademark cleric drum barrage. at once recognisable, part-insane and part-paranoid funk, its a strong statement to start the ep.

milton wrights perfect deep soul classic *keep it up* has always been a top shelf record, everything about it is almost flawless! whether it is miltons silky vocal delivery, the incessant guitar driven back beat or the total space funk vibe of his omnipresent arp-2600 synthesizer this record has it all. originally released on tk discos more soul and funk orientated alston label which was home to many legendary artists and records, this 1975 sunshine classic never fails to make people move. a classic rare groove indeed. *the silence that you keep* takes up side-b, a jazzy, flute driven love song that again features milton s perfect voice and some fantastic arrangement. a real gem of a record, with the original 45 changing hands for over £100 a time in used condition. this is the first time *keep it up* has been re-issued in its original 45 rpm format with the original alston label artwork. it has been re-mastered, re-pressed and made available again with the permission of tk disco / alston records, miami florida, usa.

imagined as a sharp contrast and complement to funn citys trashy vintage vibes, darshan jesranis new cylinder moniker sets out to explore the more streamlined, forward-facing side of startrees vision, while sacrificing none of the warmth or funk of its classic influences. disco engine is a futuristic joyride which draws upon late 80s and early 90s techno vibes as much as it does disco and r&b to produce a groove which is warmly insistent, buoyant, sexy and a little menacing.

poker flat capture mark henning in a rich vein of form for this ep of deadly deep and intense tech house. for almost a decade, the anglo-german, berlin-based dj has turned out consistent releases on an array of underground labels, but here his trademark combination of darkness, swing and technoid funk reaches new levels.

after seducing the likes of optimo, horse meat disco, rub n tug and bicep with their floor-friendly reworks of classic disco, funk and electro, the lads over at fatty fatty phonographics are expanding their repertoire with their first 12 inch of original material.

2015 repress, support by: brothers vibe, dj koze, eric cloutier, laurent garnier, shinedoe, sevensol, tini and many more ... within a year christopher rau has managed established himself as one of the most promising german deep-house producer with striking releases on labels such as smallville, giegling or his own imprint dérive. as a direct follow up to his album on smallville now comes his debut ep on aim with three well selected tracks that show an intriguing understanding of deepness. >stockings< with its funk riffs and filtered vocals brings is a wonderfully uplifting tune, with an enticing oldskoolish vibe that brings back some precious memories. >anita niesz< (a collaboration with jacques bon) is not only a rare manifestation of musical talent in electronic dance music today, but also a intimate atmospheric tune that will work the finest dance floors and bedrooms

vyg03 introduces a new member to the voyage fold in melbournes analogue beat-maker m5k. five tracks spanning beats, boogie, house and funk, the ep is a great snap shot of who m5k is as an artist. the flip features a heavy remix from germanys imyrmind and his mpc. voyage returns with a six track ep from melbournes m5k. featuring a lush, swung-out remix by box aus holz imyrmind on the flip. an exploration into analogue boogie, marcy ave shows m5ks versatility with five tracks paying homage to his hip-hop, boogie and house roots.

mysterious >tallberg factory< worker release a debut on seahorse & castle label. dope analog house and on b side weird beat slow techno funk.

armando gallop, the legendary chicago producer & dj whose career was tragically cut short by his death in 1996 left behind a legendary reputation as one of the windy citys finest. having released on seminal labels such as, trax, musique, westbrook and his own warehouse imprint, armando brought his own rough hewn brand of machine funk and acid to the table and the dance music world has been much better off for it since.

more quality deep nyc house sounds from 1992 (!) from the underrated yet mighty wayne gardiner aka classic man. two dope mixes of 5th street orchestration feature and bear all the hallmarks of gardiners understated, subtle funk. jazzy keys, plucked strings, deep as deep pads and some serious peech boys channeling take us deep into the new york night and straight to that after hours spot that weve always dreamed about! pure class!

common edit is back with the 9th instalment. newcomers to the common edit family this time around with free association and honey discos hristo. no 9 delivers in true common edit style with one for the floor and one for the bedroom. on the a side, free ass serves up free sensation a sumptuous ditty to get the ball rolling. alluring lyrics pull you in to this dubbed out journey of love that keeps you lusting for more. on the flip in true b side fashion, hristo lets loose on the loop with heat market. slow and steady on this gem, with a sleazy clavinet and guitar swooning into a fury of horns - cosmic funk of the highest order! 300 released for distribution and copies given away at the release party in edmonton, canada at the common

gatefold lp + cd. brzzvll plays improvised dance music with a jazz-fusion, afro-funk and rare groove sound like those of the 70s

nice price deal !!! - dont just think about jellphonic tonight, pick up the phone and call. if youre lonely, confused, or just need a friend. hes been waiting, waiting to hear from you. hot, private and live 24 hours a day for adults only. it seems like 12 years since jellphonic put out a 12, but this release proves that he is still the baddest man in the whole damn town. 5 low brow cuts that celebrate the finer things in life, analog synths, minimal production and mindless funk. all on his own imaginary label too, bon appetit!

long standing sonic groove artist realmz returns with his latest release nocturnal realm. a stunning four track ep of diverse techno sounds.the ep starts off with air supremacy a mechanical broken beat laden industrialized techno track that oozes with machine funk. continuing into the depths of the sonic groove is circulation. a rhythmic 4/4 pulsating workout which commands its way thru the speakers with a swath of fury. swinging the mood over into deeper melancholic grooves are the thought provoking hypnotic melodies of songs metamorphic and architecture of time. two tracks that dig deep far inside your mind. realmz clearly shows creative versatility on this ep. another great releases from this very original sounding artist

quite limited double vinyl pressing with full artwork gatefold sleeve!
here is jazzy sports feverish 3 piece dance music band cro-magnon, releasing their long awaited 5th album called *v* some dance music pieces ... like soul, jazz, funk, disco, afro, latin, caribbean reggae / dub … roots musics … and hip hop, house, techno … modern dance grooves ... there are valuable sound pices mixed into original sounds with powerful band sound and dope productions. this was album recorded with vintage instruments and analogue multi tape recordings. they approached their roots with fresh ideas and deliver mellow grooves with fender rhodes and daylight style jazz funk, inspired by african, brazilian, cumbia … so many music styles. you will find the new phase of cro-magnon sound. we love them! and you will love them, too.

r&s new boys also, appleblim (laurie osbourne) and second storey (alec storey) continue pushing their creative boundaries to the limit with this second installment of an ep trilogy. formation picks up the thread from ep01, another spaced-out jam crammed with swooning pads and pulsing subs. while on the flip rant check pts. 1&2 serrated p-funk bass and stuttering percussion flash by in ever more intense waves over the course of 12 lysergic, dancefloor pinning minutes.also is pan genre, pan generational, emotive electronic music at its best, truly something special and a fine addition to r&s rich heritage of forward thinking dancefloor sonic artistry.

broken beat ep multicolore, monomite voyage entre jazz, funk, uk bass dans un univers résolument house. chaque titre de cet ovni dans le monde de la house, décrit sa vision d’un état en rapport avec l espace, le temps, le corps et l esprit. a l auditeur d y faire les associations qu il veut dans une salle obscure, tout en dansant sur sa rythmique frénétique lié à sa passion première, la ligne de basse. ce n’est pas un hasard si les quatre concepts qui forment l’ep sont directement connectés à l’univers de la danse. cet ep a été écrit autant pour l’esprit que pour le corps, avec un morceau clin d’œil à la communauté de house dancers parisienne qui se réunit une fois par mois au travers des évènements tap water jam. arrivée de ce vaisseau rempli de danseurs le 16 février.

roadside edits are back, their first 12inch was a very limited pressing, and it sold out faster than moonshine back in the prohibition days, so they have repressed it, and for good measure they have added their foot stomping edit moonshine on the a side, its a liquid disco funk hoe down thigh slapping drunken stomp, funky and slide guitars, the odd brass stab here and there, throw in a bit of organ with some chunky pianos, add some guy laughing and we are good to go. b1 gets going with a funky disco cosmic groover with some wicked wah wah guitar, strings, effects, cool synths and tight drums, all bound to get them moving on the dance floor. b2 groove is so infectious with some sweet harmonica solos, tight bass and soaring strings that lifts this track and the crowd to cloud